Missing Persons In Your Life
By Mikhael
East, Melbourne, Australia
September
30, 2001
It was coming up to summertime, and I
was completing my last year of school. 1982. A mass of new, interesting and
exciting bands could be heard on the radio and seen on TV with all the new
video clip shows that were emerging. Most of the ones that I was interested in
came from the UK, but there were two that curiously emerged from the west coast
of America. Their music would play a role in my life from then on. One of these
bands was Missing Persons.
"Words" hit the radio
big-time over here. In my hometown of Adelaide where I lived then, it was on all
the time. And I remember how impressed with the video I was when I saw the
blonde and pink little thing in her plastic bras doing the art house synth
thing that I would always love that group for.
I was working part-time at a record bar
whilst finishing school and got to hear Spring Session M all the way
through and adored it. Of course, "Destination Unknown" had followed
as another hit – not as big as its predecessor but a presence nonetheless. That
song really did it for me. I was inspired to get one of my first tailor-made
pieces of clothing after seeing Terry or Warren wear a long black and white
coat in that clip. (My tailor-made outfits these days are restricted to simply
g-strings and posing trunks, probably the same for Warren, I imagine, judging
by some reports of his site!). The image of seeing Dale fall out of that car as
the door opened is still with me as one of the most memorable of '80s videos.
Missing Persons began to fade from the
Australian psyche after that – but not from mine and a handful of other fans. I
know that there were more singles in the US and that "Windows" and
"Walking in LA" were big. The former and "It Ain’t None Of Your
Business" struck a really personal chord with me at the time, growing up
feeling confused and weird about so many things.
I had a penfriend in Boston, and he
sent me the hard-to-get EP that featured "I Like Boys" and
"Mental Hopscotch" (another favourite). I felt so lucky for getting
access to these when it was so hard to come by over here. Even when I commenced
my full time job at EMI the following year as a sales clerk, my enquiries with
the head office people yielded me no luck. I did, however, score a signed
cardboard blow up of the album cover!
Spring
Session M was still a seller, I recall, in the
early days of that first three year stint with the company (I would work for
them on another two separate occasions before leaving the music industry for
good to begin my career in the fitness industry). I kept on hounding the head
office (Sydney) for all possible Missing Persons info. So finally, when the
words Rhyme & Reason appeared on
the "master lists for pressing copies," I was ready and eager to hear
what this awesome band would follow up their impressive debut with.
My pen pal had sent me "Give" already, and I remember thinking how different it was from the initial material. The publicity photos were also indicating a change in direction to something somewhat more serious and thoughtful, as many of the British bands that had begun with the synth/new wave thing were also starting to do.
Ironically, I received my copy of Rhyme & Reason from Boston (!!!)
before the head office of EMI Australia! Interestingly, I have just learnt that
Boston is Dale’s hometown! I visited there – extremely fleetingly – last year,
getting off at the train station from New York (I was being picked up to do
some video stuff in rural Massachusetts). It had a feeling that reminded me
very much of Adelaide, my birth town and home for some 25 years!
Rhyme
& Reason, as I recall, took a few listens to really get into. I came to
appreciate that album though, on many levels. "If Only For The
Moment" is one of my all time fave songs. The lyrics and standard of
musicianship were really evolved on this set.
It was 1986, and I made a brave
decision to quit my job with EMI and go to drama school. I had heard very
little of Missing Persons in the year leading to my leaving. There was no
Internet then, and the best US magazine, as I recall, was "Circus" –
I don’t think they really understood the likes of Missing Persons or Berlin.
Australian music shows and radio was – and still is to a degree – very
conservative, and they were starting to shy away from the really good music.
Once again, it was my trusty pen pal
that sent me a tape of Color In Your Life,
an album which I loved and play very frequently even now, as it has just come
out on CD. I did get to see a clip of "I Can't Think About Dancin'"
on TV, and was in awe that this was the first single as it was my least
favourite track at that time. I loved "Color In Your Life",
"Face to Face" and "No Secrets." Still do.
Not long after that I heard that the
band had split, largely owing to Terry and Dale getting divorced. I was sad,
but then again I was at drama school and totally self-obsessed, so it didn’t
get me down too much. I thought it was cool that Warren went to Duran Duran.
Interestingly, even though Duran Duran were EMI’s biggest seller at the time I
worked there, I only really paid any attention to them from
"Notorious" onwards! Warren’s guitar work always impressed me, and I
always listened out for it in Duran’s material.
It excited me that Patrick had gone on
to make new age stuff – I was big into that when I left drama school and went
through a big spiritual shift. In my self indulgent days at studying drama, I
wrote a play and wanted Patrick to do the music. I wrote a letter to him at
Private Music (in New York?) to let him know!!!!! I never heard back!
In the ensuing years, I knew that Terry had won awards for his superb drumming, and that he had been tied up briefly with Andy from Duran Duran. I guess that was the last vestiges of Missing Person that I thought about for a while.
Sometime in the early 90’s, I got a job
as a journo for a street rag and had the opportunity to interview Warren about
Duran’s new LP (yes, it was still available in vinyl and I had a signed
cover!), Liberty. He was such a nice
guy to talk to, and I had lots of Missing Persons questions for him, too. I
really liked the Liberty album. Not
long after, I was back working for EMI for the final time (like acting was ever
going to work for me!). I enjoyed checking out Warren’s new muscly bod and
found his dissertations on macrobiotics interesting.
Of course, The Wedding Album had been released, and Duran was on the comeback
trail. I found myself thinking about Missing Persons again, as the new
craftsmanship Duran were showing was obviously influenced a lot by Warren.
("Ordinary World" is a favourite song – superb).
The Best Of Missing Persons had never been released over here to my knowledge, so once I had
a CD player, I tracked a copy down so I could remember all those great songs
from when I was growing up. By now I had moved to Melbourne (second largest
city in Australia) and was browsing through a groovy imports store and found Late Nights Early Days. My fondness
for the band had been rekindled. Perhaps it was because now that I was in my
thirties, I could REALLY appreciate how good they actually were?
I was in the US when Pop Trash was released – definitely
one of Duran’s best efforts – and was privy to all the interviews that were
done for the album. Warren mentioned Missing Persons a bit, and I got to
wondering if a comeback would happen. I also learnt of a remix album, which I
only secured a copy of a few months back, and which I can’t get enough of! Why
Cleopatra didn’t do a single release of "Destination Unknown" (TV
Mania remix) is beyond me.
When I heard
that Missing Persons were reuniting, it was like a piece of my youth, my
personal history, was being restored. I have come to think of them now as more
than a band from the 80’s that I liked, but more as a part of the soundtrack to
who I am. The chemistry of Dale, Terry and Warren and Patrick (and Chuck in
those days) echoed something about and of me, way across the Pacific, that is
hard to articulate. I so wished I was attending the fitness convention in San
Fran this past August. Just so I could have gone earlier and seen the band play
live – something I have never seen (hell, I haven’t even seen all their
videos!!!!).
I have been reading lot of info on the
website recently and feel sad that a full reunion culminating in an album will not
happen. I can only imagine it as being nothing short of exceptional,
considering how all four artists have developed over the years. Still, even if
it is only Dale and Warren flying the flag, it is still an event that somehow
gives me a little something special to look forward to in troubled times.
Missing Persons, to this little unknown guy far away in Australia, really means
something. Thank you.